Necropolis - Arnaud Maïsetti
To have gone through the neighborhood last night that I do not know, where I go for the first time in this city that I know by heart, market more than a half-hour sidewalks that extend probably also on the sidewalks which hundred and a thousand times before walking to lie under the pitch hit the ground for years
launched ahead of me, but happen here as we enter
a new piece of a castle, and recognize of course that any affiliation to
contains it, that it is in that city that I am
because the walls of the facades are here
everywhere as cut in the same mountain,
also recognize that height of buildings erected on
alley streets strung on straight lines so that the prospect
cancels the possibility of the horizon, but do not really recognize, as a language we have learned from the mouth of a only and we hear for the first time spoken by someone else
more starched more obvious perhaps, and pass through a street with an unpronounceable name to join the Square, take this street as a poorer than me, turning up this long road 'Cemetery that appears on the right hand with his body so dear to me, these bodies before which I would like one evening yes, sit
to simply look at the color of the earth all around them, but not tonight, another night, less blue than there evening making the cemetery so cold in the middle of the city
and hard as a stone, I pass the bridge is a bridge to step over anything below, no road goes, I'm going, continuous, and left over the road, I see stelae few mausolea
who crossed to the other side of the road to be there, detached from the main cemetery, stand absurd overflow strange graves outside the walls where the aisles distributing the geometry of memories and Forgetting, here in the heart of the city, and I tell myself, despite myself, I am in the heart of the city if the city has a center, it would where I stand, what bridge that rips the cemetery into two broad populated pit where it tries to log onto long pieces of stone, suites of dates that are counted as indefatigable
exhausted, useless time and for the first time here,
for the first time, the bridge that takes me;
have been justified by this time the position the city around me, and when I turn away, I look ahead, I agree - Place Clichy, lighter than the dark around me, all lit car, the place where I find myself in conquered territory, and how I know the crowd movements and each passing second, and the next; have had to come here and learn another city does not make me guilty of I see that again in front of me, but I mourning to remember the road that led me there, and that The next day I will not find.
Arnaud Maïsetti
The first Friday of the month, since July 2008, is the opportunity Communicating Vessels: idea to write in a blog friend, not him but in the space of its own. Another way to establish across the links that are not only pointing directions, but actual texts emerging from .
That first Friday in February, I am pleased to take part in this project, through the invitation which I accept Arnaud Maïsetti the text, which hosts the mine on his blog - Setback - the heart of his site where you can discover his books read and write, poems, photographs, text & hyperlinks.
Other waterbed this month 
Jean Prod'hom ( margins ) and Brigitte Celerier ( clueless )
Anthony Poiraudeau ( frivolous and serious ) and Juliet Mezenc ( I fold and unfold )
Michel Brosseau ( cat perched ) and Hervé Jeaney ( chaos illustrated )
Martine Sonnet ( employee Clerical ) and Philippe Annocque ( portholes )
Luc Lamy ( Luke's blog) and enfantissages
Christine Jeaney ( attempts) and aedificavit
Anna Desandre ( chronic deletions) and Kouki
Olivier Guery ( jerks) and Phil Rahmy ( kafka transport )
Pierre Cohen-Hadria ( during weekend) and Michel Brosseau ( Kill That Marquise )
Francois Bon ( third book) and Joachim Senna ( fragments falling and consequences )
Jerome Denis ( scriptopolis ) and Emma Reel ( CultEnews )
Pierre Menard ( introductory ) and understatement top
Gilles Bertin ( Lifelines ) and Epamin '
Loran Bart ( lines the world) and Michele Dujardin ( Abadon )
Florence Christmas ( pantarei ) and Eric Dubois ( tribulations )